Comments and opinions...

The two posts that I wrote about Robin Williams death got more hits than any of the other 1729 I have composed.  In one I mentioned Robin's self acknowledged bipolar condition. In another I talked bout depression and the disrespect of misunderstanding it is sometimes given.  Other than writing about depression from the informed position of my own struggles, I really wasn't discussing the state of mental health care.

Today I get a comment with links and quotes touting the complete nonsense of psychiatry and psychotropic drugs. I immediately deleted the post for several reasons.  It is a long comment that could have been written by a Scientoloigist  as zealous as Tom Cruise, but it was written anonymously. If the comment or statement was a rebuttal in a court of law it would not be allowed because of here say and relevance. Adding to the irrelevancy of the comment, it was attached to a blog post I wrote about the Emmy's.  Not sure what the intent of the comment was, but irrelevant, rambling, roiling comments are not allowed to remain on TWIAS especially if they are signed anonymously.

And...

I got a lot of comments on Facebook when I published this photo of my dog Boo. Some were quick to point out the "wooden children" in the background.  To be honest I had not taken notice of anything but my cute dog's face. Although no one used the words creepy, the implication was there.  It was as if the picture below was the one posted. The main character is related to Bob, the yellow shirt belongs to John Henry and that is an Alligator from a Punch and Judy cast on his shoulder.

Unless I am making them talk, Boo pays no more attention to these wooden Americans than she does to the chair. Thank you to everyone who expressed concern that I might be frightening a cute dog with the tools of my trade, but no worries she is fine. There are only two things that vex Boo and neither is a vent puppet. Squirrels and lizards are the only things that occupy her attention  beside treats .   And as you know I rescued Boo from Weird Al Yankovich so the only thing that traumatizes her is accordion music, not puppets.

I hope everyone has a wonderful Labor Day weekend.  Since there is not MD Telethon this year, it seems to be a perfect weekend to watch.  "Jay Johnson: The Two and Only."  And for all your difficult people on your Christmas list.... my Friend GFlash reminds us all that there are only 18 Friday's until Christmas.  

As you were,

Jay

Spread the Emmy's Around

Once again the Emmy's were awarded to the television elite last night, and once again I came up empty handed.  That is not to say that I was nominated, nor that I did anything that would qualify this year but the ego of an actor can not be over estimated.  Perhaps the best example of how the Hollywood ego works can be viewed in the Christopher Guest movie "For Your Consideration"

To vet myself with full disclosure, I don't know anyone who has ever delivered a line on a television stage who does not also secretly prepare an Emmy acceptance speech just in case.  I certainly have one ready.  I got to use a version of it when I won the Tony® Award but just in case the Emmy gods are reading this I'm still ready to receive that golden angel for my mantel.

So under the category of "Who really cares outside of Los Angeles county"  I think the Emmy qualifications need to be changed. In the history of the Emmy's you will find that the same show and the same actors win consecutive Emmy's for the same work year after year.  Not that they don't deserve to be honored for continuing to produce good work,  but it is the only major award where that is even possible.  And frankly it is boring. 

SOAP was nominated for Emmy's year after year but always lost to M*A*S*H*. At the time M*A*S*H* was the juggernaut that could not be stopped.  M*A*S*H* was on for 11 years and won 14 Emmy's.  For the years 1971 through 1982 the bet was alway on M*A*S*H* to win and it usually did.  

In contrast "Phantom of the Opera" has been running for 22 years on Broadway.  It opened on January 26, 1988 and that year won 8 Tony's.  Unless it closes and is one day brought back as a revival it will not be eligible for that award again.  And rightly so. The American Theatre Wing has already honored this production with it's highest award.  

The same is true of the Academy Awards Oscar.  A movie, actor, producer, director or any other job on a movie is only eligible for consideration the year it opens.  

The Emmy can be awarded to the same actor or the same show, every year the show continues to run.  To me this is not fair to newcomers who may require more than a year to establish a character or show.  So if you are listening  "Academy of Television Arts and Sciences" here is how I would change the Emmy's.

First of all a show or actor can be nominated every year the show and that character run on television.  Do the work and reap the benefits I say... but here is the difference. If a show/actor wins an Emmy for work during a season... they are not eligible to be nominated for the next two years.  To keep giving out the same Emmy for the same role to the same person is boring.  The next two years that Emmy is available to someone else.  Then after two years if an Emmy award winning show/actor is still doing the same high quality work they can be nominated again.  If that show or person were to win again, the second Emmy would not be for the same work you did last season, but would honor the fact that for the last two years a person continued to do great work.

I have been on this band wagon before and don't know of anyone else who is a champion for the same change. Try to convince Alan Alda how much better it would be if he only had three Emmy's for M*A*S*H* under a new rule instead of the 6 he received under this existing system.  I doubt it will change and the rule will always be "Them that's got seem to get more".

As you were,

Jay

Brought to you by: "Jay Johnson: The Two and Only"  for your Consideration.....

Please download, watch, purchase, rent or just send cash.  

Show Business....

I went to the OnDemand section of my Time Warner Cable Television provider and under Special Events.... there it was:

"Jay Johnson: The Two and Only."  This is the first time I have seen my show on my television.  All I had to do was click on the "purchase" button and Bingo.   

I was very excited until I remembered... I have seen the show. The fact that I can find it is a moot point.  I hope that all you Time Warner subscribers will find it and watch.  

I feel like I am preaching to the choir since most of the readers of this blog have seen the show live and already ordered it.  

This blog is mostly steam of consciousness for me, and since mostly all I can think about is how the show is selling, this narrative gets boring even for me.

I once saw a guy playing saxophone on a New York Subway train.  A few people gave him money.  He said, "The deal is I keep playing until I get enough money to move on."  He looked into the collection hat and said, "This is not enough." and kept playing.  Someone threw in a twenty and he immediately stopped playing and moved on. 

Here is the point of that story.  I have to keep promoting my show until it at least breaks even. Only then can the "Home for Wooden Children" benefit from the bounty.  So there you are... I am a broken record and a loop tape about it until I can afford to move on.

More later from most of these same Internet channels.

As you were,

Jay

Continuing on...

Here I am back into promo mode... Jay Johnson the Two and Only continuously available for your purchase, rent, download or streaming....Pleasure.  As you know this is my least favorite job in show business.  I am a performer. My job is to entertain an audience once they are in the theater or in this case your living room.  How to get people into the theatre or motivated enough to find the show and watch it is still as baffling as ever.

Over the weekend I attended the Portland wedding of my cousin's daughter.  It was a beautiful occasion.  I met Paul, one of the bride's childhood friends, now in his 30's.  He gave me a wonderful compliment about Jay Johnson:The Two and Only. First of all he said that he had watched the PPV several times already.  He told me the show was important to him on many levels, and he is also purchasing the DVD for "social reasons".  He said it would be his "third date test".  If he dated a girl more than two times the third date would be to watch this show together.  He said, "If she doesn't get the show the way I got the show then she is not the girl for me." 
I am not sure any relationship should be judged solely on how a person likes a story about a guy who plays with dolls. That may be too much pressure for any show to live up to. However, I know the principle behind it.

In the comedy club days of the 80's a night at the local Funny Bone, Laff Stop, or Improv was primo date material. You can tell a lot about a person by what they find funny or not.  For more basic reasons a happy date is also a more willing date. I hope it works out for Paul, he was a nice guy and deserves an equally nice companion. 

The two blogs I wrote about Robin Williams last week got more "hits" more "shares" and more "reads" than any other post I have written in 7 years of blogging and by a large margin. Robin's exit still vexes me more than I thought it would.  Being a person who struggles with depression myself it is a wake up call to everyone who shares my ailment. I think we could all be one bad day away from that ultimate solution. Like a member of a mental 12 step program we have to struggle and affirm, "today is not that day." 

I am bothered that many people have said in FB posts they are glad Robin is "finally free." They must be confusing Robin the man with the blue Genie cartoon he voiced in Aladdin.  Suicide is not a "solution" or a vehicle for any sort of freedom. It is not selfish and it is not the cowards way out, it is just the absence of a solution. No matter how dark the room there is a light switch that we must find. When you find that switch the darkness is not just replaced with the light... darkness proves itself to be nothing but the absence of light. Depression is a lot like that.  This black atmosphere does not recoil into a mass in the corner...it vanishes completely.  I have been told that depression is just a place holder for some other unresolved emotion.  Whatever the lesson is we are supposed to learn in this living class room, you can not graduate if you drop the course. One does not beat the storm by giving into the wind, but by fighting that wind to stand tall. 

I write this for my own benefit. While in the dungeon of my own darkness the statements above do not ring true. In fact that Pollyanna attitude merely makes the situation even more desperate. It simplifies a major chemical imbalance in the brain to a line from a Hallmark card. If it were so easy to find that light why wouldn't I gladly turn it on? I am hoping that in one of those moods I will find this blog and know that when I was thinking clearly... I knew it to be so.

As you were,

Jay

Memory in Third Person

There was nothing more intimidating than the corporate offices of ABC Network at Century City in the late 70's.  I was there for final network approval to play Chuck and Bob on a new ABC sitcom called "SOAP". It all boiled down to this final audition. I had passed all the other audition tests but this was the final network test, the only one that mattered.

When I checked in at the ABC receptionist desk a striking woman, beautiful but emotionless, checked off my name and told me to have a seat on the couch.  The lobby entrance to the network office was three stories high.  I looked up at the endless ceiling as I sank to the bottom of a leather couch. The soft cushions engulfed me. I sat eye level with the arm rest. At that moment I could neither feel smaller nor more insignificant.
The producers arrived and were whisk into an office without even acknowledging I was on the couch. Then the director arrived and finally the SOAP Casting agents arrived.  All were escorted to the office. My heart was racing with fear/excitement. It seemed I spent hours alone on that couch until the two casting ladies came and talked to me.

They explained the delay was due to the fact that Pam Dixon, the head of ABC casting was late.   As soon as she arrived we would begin, but no one knew where she was.  They noticed my nerves were on edge so they attempted small talk for awhile but eventually there was only the silence of anticipation.

After a while one of the casting people said, "Let me go see if they know anything yet," and walked to the office where everyone was waiting.  She was gone for awhile and returned with an up date of information.

"Well, they found Pam... she is stuck in the elevator between the 16 and 17th floor of this building.  They are trying to get the elevator fixed. They don't know how long it will take."

"Geez," said the other casting person, "Pam hates confined spaces. She must be going crazy in there.  Will she still feel like doing this reading when they get her out?"

"Don't know.  If they can get her out in the next 30 minutes they will still do the reading."

Again there was silence between the three of us. It must have been no more than 30 minutes but it seemed like days to me.

Finally Pam's secretary came out to us.  She said, "They almost have Pam out of the elevator and she still wants to finish this reading today.  Is that good with everyone?"  We all nodded.

One of the casting people said, "How is she doing?"

The answer, "Don't know but I am sure she is frazzled. She has a phobia for that sort of thing." And with that the secretary walked away.

Both casting directors looked at me and one said,

"Wow, you better be really funny." And with that they went back to the office. What little confidence I had left was gone.

It was finally time for me to "do my thing".  

All my fears were gone when I saw Pam Dixon was laughing and happy as I walked into the room. She had seen my act at a night club in town and knew my work. A tremendous weight lifted off my consciousness. She asked me to do a specific bit she liked, I didn't have to read the script and I got the job.

But wait for it, here is the real story.

Months later I found out why Pam was in such a good mood after the terrifying elevator experience. It seems she was stuck  for an hour and a half inside that elevator with a comedian who kept her laughing the entire time. I wanted to thank that guy, he saved my audition and didn't even know it, but no one was sure who he was.  After years of sharing this story with ABC executives I learned the young comic's name. It now makes total sense how he would have been able to riff on a terrifying real life situation and calm down even the most anxious elevator passenger. He was a comic/actor coming to ABC for an pilot meeting on a show called Mork and Mindy. A year later everyone knew the name Robin Williams.

I never got to thank him personally. It is now, humanly,  too late, but I suspect he is now aware of my gratitude. 

As you were,

Jay 

The Demon of Clowns

There are certain performers who walk into a spot light alone. They are not part of a group, they do not play music. They do not sing and they do not dance. Some use props or costumes, others enter with nothing more than their own quick wit.  Stand up comics, magicians, clowns, ventriloquists, mimes and jugglers face a crowd of strangers alone. The ability or talent to over come this basic human fear of facing a crowd often comes in a bipolar package. 

Robin Williams was such a performer. Driven into the spotlight to escape the demons of the darkness. A San Francisco street mime/comic who became an Academy Award Winning Actor. A man who worked best alone because he was too fast for anyone else to keep up. 

I once watched a sign language interpreter try and sign Robin Williams' stand up routine at a Comedy Store Benefit.  It became a manic improv of concepts and words that would stump the interpreter. They both received a rare mid-set standing ovation from the audience.  Robin, should we have laughed harder, clapped louder, stood up quicker, done more as an audience to make you think one second longer about the joy you can bring before ending your life?

Only a few seconds after I heard the news of Robin Williams death my phone rang. It was my best friend. He too is a solo performer. I was actually attempting to dial his number at that very moment. The news had reached us at the same moment.  

My friend began his career as a San Francisco street performer and had known Robin since those days.  I did not know Robin well but we both had the same reactive feelings. A heavy loss that seemed to out weigh the amount of time either of us had spent in his company. But, he was our our age, our generation,  a fellow solo performer. We were all bond together in that loneliness of the spotlight; and suddenly he is not only dead but dead by his own hand.  There is a demon that stalks the clown. 

We had a moment of recollection on the last time we saw Robin and the best story we had about him. We came around to this conclusion.  Of the famous solo performers we could think of from our generation,  Robin was the most likely to die by his own hand.  We both assumed it would be by overdose. He was a candle burning at both ends, but he made a lovely light. He fought the bipolar demon for a long time but finally lost Monday, August 11, 2014.

The psychiatrist says to the man on his couch. "You are very lonely and depressed. I suggest you go to the comedy club here in town tonight and laugh. There is a comic performing there that will make you forget all your troubles."

The man on the couch says,  "I am that comic."

As it was before, 

Jay

  

The Opening Act

Today is August 9th the anniversary of the bombing of Nagasaki. It is also the day our PPV premiers. I certainly hope that is the only connection to "bomb" and  Jay Johnson:The Two and Only.

There will be no opening night party tonight like is the tradition in New York.  However, Sandi and I plan to celebrate by watching our friend  Richard Kauffman  conduct the Pacific Symphony at the Verizon Theater in Irvine. Richard will conduct the score to Disney's Fantasia played live in sync with the film. Richard is a master at this amazing feat. We have been honored to watch him do the same magic with the films, Wizard of Oz and Chaplin's City Lights. Fantasia is one of my all time favorite films and I can't wait to watch it LIVE.

I have already had messages from friends who watched Jay Johnson: The Two and Only on PPV early this morning.  They are the electronic equivalent of "first nighters" I suppose.  There is an odd situation that I would not have ever thought about in this  day of "special delivery television". 

It seems that the channel where my show will be shown, in some markets, is the "Adult Entertainment" channel.  It means that Jay Johnson:The Two and Only is listed along with titles like..."Hot Wet Mama",  "Dude Where's my Dildo?" and "Bleeping Miss Buffy." With a ventriloquist show along side such company  it gives the title "Deep Throat" a new meaning.  I certainly hope that some of my techno challenged friends do not accidentally pay for the wrong title.  I might not ever be able to explain that to my Texas Southern Baptists relatives. I am waiting for someone who thinks they saw my show to tell me how good I look in Tighty whities. 

In my career I never had to open for strippers.  I made my way into the ultra family entertainment of Theme parks when I was too young to work the strip joints. I guess Karma has come back to straighten out that "missed career opportunity" dressed in black fish nets.  Must be my turn to become the comedia intruptus on PPV. 

There are some things that a "producer/writer/performer" like myself has no control over.  This ventrilo-hard core mash up is one of them. It's funny. It has been difficult for people to find my show on the television schedule, I suspect there will be a certain number of fans who will  now find my show by total accident.  My friend and fabulous writer Evan Davis  once wrote: "I found Amazon.com by accident.... I was searching for some really tall women on line."  I have the feeling the show may find a whole new market.

So brave the "On Slut" and look for Jay Johnson: The Two and Only on your local pay for porno channel and watch.  Or if you are the least bit offended by the company a Tony®Award winning show shares on cable television... download direct from iNDEMAND to your computer or buy the DVD.

Remember  only you can save a wooden child from continuing this less than wholesome television company.

Enjoy my show... some how...

As you were,

Jay

Promo Break

Jay Johnson:The Two and Only has become available to purchase or watch starting this Saturday. I feel like it is once again opening week at the Helen Hayes.  There is not much to be done now but try to get people into the theatre.  In this case the theatre is in your living room, but you still have to get it and watch it.

Art and Harry O'Shea
"Of more the ordinary significance" in my life

In New York there is never a time when you are not promoting your show.  Especially if it is not one of the ones that get the "instant buzz" that comes with a huge investment and big opening splash.  Doing the show was a dream, promoting it was work.  I'm still not sure how anyone gets anybody else to take a chance on a show.  I always felt incapable of getting the audience into the theatre, but once they got there, they usually came back a brought friends.

I have never been able to explain my show very well.  Yes it is about ventriloquism, yes it is about my connection to the art form of ventriloquism, but it is really a Valentine to my mentor and figure maker Art Sieving. We crossed paths almost accidentally, became friends and the connection took on a rather supernatural patina.  There are still times when I am doing the show that I feel the presence of Art Sieving so completely that I know he is performing it along with me.

Once at the Colony Theatre in Burbank we were doing a tech rehearsal.  These are slow and laborious rehearsal sessions that seem to take forever. I call it a stagger through because you slowly do the show step by step, backing up and doing things again for lighting and sound cues.  I have gotten to where the task is almost mechanical.

The set involves a lot of trunks that dress the stage. Some trunks contain the puppet performers, others act as chairs, small stages and step stools for the "business" of the show.  Even in the traveling set there are two dozen trunks.

It was late at night when we were "staggering" through the show and we were to a part where I recreate my first meeting with Art Sieving at his house in Springfield, Ill.  The blocking at that particular moment had me saying, "As I walked into his house that day..." and I move toward a grouping of trunks stage right.  John Ivy (my fabulous Stage Manager)  had me do that phrase and start that walk more than a few times to rehearse the timing of a lighting cue he was working on. One last time I said, "As I walked into his house" and John stopped me once again. Out of frustration I made a joke and said "And I wish I was there with Art now". At that very moment one of the latches on a closed trunk in the very area I was heading toward sprang open with a distinctive metallic  flutter sound. It was loud enough to be heard in the booth where John was working.  It stopped that tech rehearsal cold.

I do believe in ghosts, and there was no doubt in my mind that it was Art interacting with me from whatever dimension he is currently. It was just to let me know that although it was not the most glamorous part of mounting a show it is extremely necessary, and to let me know that I didn't have to go very far to "be there now with Art".

So here we are once again. I am trying to lure an audience into watching that show on DVD or PPV or whatever form it is now. I love telling this story. I love the reaction that people have to this story. I would love for millions of people to see it just to understand how one Master can effect the entire life and career of a willing apprentice. Trying to let people know that it is available now, in their living room at a price that is less than a 10th of the price of a Broadway ticket seems to be a job I am not qualified for, I would much rather be telling the story live.

I hope you will watch. I think you will be surprised at what the show really is about.  You will laugh, you might tear up, and you will probably learn something about Art. Not just Art the man, but Art the process.

Here are some links to find it.

PerOrder the DVD

PPV and download to rent or own

As you were,

Jay

Beta App for Free

This is a beta app that will take you to all the various ways that Jay Johnson:The Two and Only! can be purchased, rented or viewed. Thank you to all who have tested it out.

LINK TO THE APP 
As you were.
Jay

Professional Power Point Presentation

Okay I admit it. I actually purchased clicks on Facebook.  I don't even know what that means but I am willing to invest in every possible path to get the word out about Jay Johnson: The Two and Only!  The show is available to find (with effort).  Listing of PPV seems to be different for every local cable service. On Line it is scheduled for August 9th. Some people have been able to preorder and reserve PPV in advance.  Leave me comments on the experience you had if you tried to order Jay Johnson: The Two and Only!  or even find it. 

ALSO, Amazon.com has our DVD listed as Johnson, Jay - The Two & Only!  
If you search Amazon.com under the correct name Jay Johnson: The Two and Only! The first thing that you will see is an ad offering two different playbills from my New York show for sale. One  from Off Broadway at the Atlantic Theatre and the other from the Helen Hayes (in color). 

To find the DVD of  Jay Johnson: The Two and Only you have to scroll past several other items until you see me and Bob face to face on a black drop box.  There you can sign up to have emails on when it is available.  It says December 16th, and I guess they will let you know if it is sooner. 

The London West End
Arts Theatre London

So at this point I have to say what ever the French word is for Buyer Beware. 

"The Home for Wooden Children" does not participate in any revenue EXCEPT from the sale of the DVD or PPV of JJ:TTAO is a BFD.OK? So, the only thing the HWC will guarantee is the quality of the Official Filmed Version of Jay Johnson: The Two and Only! 

Tip to collectors: The Playbill from the Atlantic Theatre is more rare and it is signed.

Oh and the lesson that I learned today? You can not place an ad on Facebook that is less than 80% face. Who knew? 
As you were,
Jay

Normal or Change?

Brought to you by "Jay Johnson: The Two and Only" on pay-per-view starting 

Saturday August 9th.

DVD  available December 16th. 

A large portion of the revenue from this show goes to "The Home for Wooden Children"  Help support wooden children everywhere by purchasing and enjoying this show. 

For the last couple of days I have been contemplating the idea of Normal.  I got  a new computer and worked all weekend to restore the back ups and files from the old one to the new one. No matter how good your backup or the cloud or Time Machine there are still plenty of loose ends to match up. So after 90 plus hours of getting things back the way they were, this morning I turned on a computer that looks exactly like my old one, it was back to Normal.

The fact is nothing is really the same. Normal only exists in my perception, everything else has changed. It is my comfort level that has become normalized. Normal is actually getting comfortable with change.

Change is the nature of the Universe.

Change is the fundamental process of the Universe. There is nothing in a physical world that is not in a continual state of change. Some of the changes are slow enough that we don't see them, we perceive it as normal.  Other things change so quickly that we get over the change just as fast and believe things are back to normal. 

The cells in my body reproduce themselves every 21 days.  In reality I am not the same physical unit from month to month. Although I think I look "normal" I can see some photographs from my younger days and realize I am not the same looking person. So what is normal? Just the comfort of familiarity. 

Mackintosh computers ushered in the era of making computers normal.  When the window based operating system of the 1984 Mac was introduced only a few realized that the computer was now imitating normality while completely changing everything.  

One of the members of the Xerox group that developed the icon based operating system said that the genius of the system was the trash can. Before this, to delete a file on a computer you had to execute a line of code that was complicated and if any single character in the line of code was wrong it would not execute the delete. The idea that now one could virtually drag a file into the icon of a trash can to execute the command. was pure genius according to that engineer. It is normal to throw something you don't want into a trash can, that is normal.  It makes us comfortable. After 30 odd years of that conditioning the virtual act of doing this on every computer has become normal.  

Slowly we accept change as "normal" after we have had time to morn the passing of the same. The seniors who did not participate in the computer revolution find the entire process to be intimidating. Clicking, dragging, copying and rebooting are just part of the "modern normal" for todays generation, but an older generation had not grown up with the digital metaphor. They find the process confusing and intimidating.  

To embrace change is the only way to really stay alive and vital.  Old people are sometimes described as being "set in their ways".  It only means that they want to do the same things they have always done in the same way in the same time, this is their normal.  But the world does not stay the same and soon their normal gets harder and harder to accomplish.  It makes them more and more isolated which means they want to hang on to the way it always was which limits their opportunities, isolating them even more.  

If one embraces change there will never be a time of stagnation. If one embraces change there will be more opportunity for growth. But mostly if one comes to see change as the normal, they will be in harmony with the entire universe. The earth is spinning constantly as it goes around the sun which is part of a galaxy that is expanding and moving very quickly to the next place.  We are not the same cellular animals that we were 21 days before. How can we cling to our normal in direct conflict with the nature of everything? 

The answer for me is holding tightly to the idea of Now. If one can come to the idea that being in the now is Normal, the past is gone and the future will be some now to come. With the idea that now is my normal, and actually is the only reality I can comprehend then I am comfortable.  And after all the idea of normal is just the idea of being comfortable.

As you were,

Jay

iBondage

I am a Mac guy. Always have been. The iMac that I have had for 7 years and two hard drives finally decided to retire.  The thrill of upgrading  to a new computer is the yen to the yang of reintalling all the files.  With Mac's past the process of installing a new system, and re-installing all the old apps and files was frustrating, very time consuming and humbling. There is a standing rule at the Johnson house to leave the area when I am "installing" a new computer.  My time honored process is to curse and scream at a blank screen, followed by throwing non breakable objects and walking away to calm down.  That process would be repeated several times until the job was finished. But that was the old days when the "fast Mac was 512k".

Today there is a wonderful thing called the Time Machine. Having to reinstall two hard drives on the old machine I thought my cursing, screaming, throwing, days were past.  Time Machine operations are simply a matter of signing on to my network and clicking the reinstall back up.  24 hours later you have your stuff back. That is certainly the way the day started yesterday.

At the point when the dialogue screen said that the estimated time was 93 hours to completion I realized there would be no work on that computer for a couple of days. Having found a herd of dust bunnies  behind the old Mac it was cleaning time. That prompted me to clean and dust everything in the office.

I took everything from the counter and desk top and put it on  the floor.  I sorted it and threw out anything that I could not recognize as important. I took breaks but was at it for about six hours. It was very satisfying when the desk and counter to the office was neat and clean.  In fact it was now so well organized the tangle of electrical cords under the desk looked exceptionally un tidy.  So I decided to "stow up the lines" as they say on a sail boat. 

It was going well, looking good, but there was a cord so tangled around the rest that the only way to free it was to unplug it. I made sure it was not the computer, that would have been a stupid mistake. In fact this was an outlet on the other side of the room from the new computer.  I was particulary proud of the way the cord looked once I had finished it.  At this point my Son walked into the office, he had been doing some work on line and he said, "Did the network go down?" Oops.

I had unplugged the wireless router. The router went down, the network went down and of course the 6 hours of Time Machine back up went down.  

With the help of a very nice lady named Penny at Apple Support we had to erase the drive and reinstall the system which took three hours. 

So I started over this morning.  

Jay Johnson:The Two and Only on pay-per-view demand August 9th.  DVD release on December 16th.  By that time I might have a computer I can use again.

As you were,

Jay

Just Like the Wizard of Oz

All of my attention is on August 9th when "Jay Johnson:The Two and Only" opens OnDemand pay-per-view.  It is a journey full of continuing wonder.  

There are so many people and so many things that have to come together to make a show like "The Two and Only" happen. It's about the journey more than the destination and not unlike Dorothy's adventures to OZ. Here is how the the characters line up in my story. 

Murphy Cross and Paul Kreppel (The Tornado and the Ruby Slippers) more like guiding forces than mere human characters. Caught in their vortex I am whisk from the safety of Kansas and dropped in the middle of Times Square munchkin land. They are the motivating force (the Tornado) and the magic protection (Ruby slippers).  Their protection fostered a beautiful friendship as well as a working relationship that means more to me than any American Theater Wing trophy. You know how much you "forces of nature" mean to me, Paul and Murphy.  

Roger Gindi  (Glenda the good Witch) was the first "New York Theatrical Producer" to show us the yellow brick road to Oz. He got the team of investors and designers (Munchkins all) to accompany us as far as they could along the yellow brick road to the Atlantic Theatre and the Helen Hayes. Thank you, Roger, for being the first to believe. 

Broadway was like being in Munchkinland.  There were celebrations and awards from the locals but too soon it was time to get on the road.  Alone and wondering which way to go... I meet:

John Ivy (The Scarecrow). He has no idea how smart he is.  He can do anything including spinning gold from the straw which makes up his very being. Together we continued down the road.  John you are a blessing and an incredibly talented friend.  

In a dark part of the journey we meet Bryan Simon and Marge Engesser (collectively the Tin Man). They have a constitution of steel, a chest full of love and an axe to cut through the over growth of film production. Marge and Bryan, if you had not lovingly pushed and insisted on continuing the journey, we would still be wondering how  to get "Jay Johnson: The Two and Only" to those who have not seen it.  Onward and upward, my friends.

Witches and evil apple trees try to keep us from moving forward. We are stopped from continuing, trying to pick up the apples that were thrown at us.  There are always last minute obstacles that seem to be make the path impossible to continue.  Just like Dorothy I was in need of one last bit of help to make it to Emerald City.

Cowardly Lion to the rescue. (Collectively they are Tom Ladshaw and Jeff Dunham). Just like the lion they are not aware of how courageous and important their contribution is in getting me to OZ. They are also the guys behind the curtain working in secret, because they want it that way. Tom, Jeff to both of you I say, Thank you. You are the Kings of the Forrest.

We arrive in Oz on August 9th.  I am hoping the citizens of Emerald city (YOU - the ones reading this) will "demand" to see the show and I will be able to make it back home. (read pay my mortgage)

August 9th for a couple of months on Demand, and December 16 for the DVD. 

Thank you to everyone who has taken me by the hand to walk the Yellow Bricks. I am truly blessed.

As you were,

Jay

Imagination

Back to reality after visiting the realm of Ventriloquism at the 2014 Vent Convention.  It was great to see friends and fellow peers as well as meet some new ones.

Almost from the first moment I became a ventriloquist people were telling me it was a dying art.  From what I could see last weekend it is far from drawing its last breath, in fact there is a new generation of "voice tossers" that seem ready to carry the torch.

I gave a rather detailed lecture on the physiology of ventriloquism and the voice during the week. I ended it with part of a talk I give on Imagination.  I got a lot of nice compliments on the lecture and everyone seemed to agree they enjoyed the Imagination talk as much as the "how does it work" section.

I am an evangelist for the idea of Imagination. It seems to me that with all the advancements of technology we have forgotten the importance of imagination.  Apps on an iPhone seem to do the impossible, so you rarely see a kid without one.  But because we have access to the product of someone elses imagination does that exercise our own?  I don't think so. After all, the very app or toy that kids enjoy today was first created from someone's imagination. 

I grew up in a time when I could spend hours watching rain drops in a puddle.  Admittedly I did not have the extensive availability to toys that kids do today, but I was not impoverished.  I distinctly remember a time in Abernathy, Texas when, as a five year old, watching rain drops hit a puddle just outside my bedroom window one morning.  At the impact of a droplet,  the puddle seemed to rise from a level surface and expose a small explosion on the watery stage.  To me it looked like small members of a choir standing to deliver their musical contribution to an unheard song.  I could envision the refracted drop as a conical choir robe with the round head of a small singer rising up from the water's surface in random order to deliver a musical solo.  I can still remember that moment and these jumping choir members standing for their individual solos.

I am not saying we should go back to the Stone Age and make children play with rocks but we need to encourage them to use the greatest force on earth... Imagination.  Nothing has been done that was not imagined first.  

I am blessed from having a Mother who had  incredible imagination.  She did not know at the time she was not only preparing me for my ultimate career, but a life time of excitement and joy.

Albert Einstein said, "imagination is more important than knowledge".  Can't we teach that important ability along with math and science in our schools.  But it seems like the first thing that is cut from a school budget are programs for the arts. When will we acknowledge that Albert Einstein was right.

As you were,

Jay

One of my Favorite Scenes

Although Chuck and Bob were not dialogue heavy in this scene, it is still one of my favorite memories. I know it was submitted for Emmy Consideration. The producers choose individual scenes from the show to submit and this is the one they chose for that season. Although the show itself never won an Emmy several members of the cast did receive individual Emmys.
I remember clearly that the tag line was mine.  During a rehearsal I threw in a line as we were going out the door.  I yelled to the Bartender, "Bob will pick up the check".  The crew laughed.
The next day there were re-writes. This time at the end of the scene the Bartender comes up to us with the check.  Burt says, "He'll pay." Indicating Bob who is passed out on the table and we walk out.
Richard makes it funny but it was my line. I wrote it for me to say.
It doesn't matter now but at the time I felt really slighted by the producers. They never even acknowledged it was anything but their original line. If they weren't going to give the line to me, at least say "Good job, good line, way to go, may we give it to Burt" something... but I got no pat on the back of any kind.
In my one person show, "Jay Johnson: The Two and Only" I tell some of the funnier stories from the SOAP days. How I got to work with Bob and what happened to SQUEAKY.  That show will be available on iNDemand starting August 1st.  Please continue to spread the word.
As you know a major part of the money from the sale of the DVD of this show goes to support the
Home For Wooden Children.  
As you were,
Jay

Happy Birthday America.

Something pulling her down?

Vegas Ventriloquism

A lot of people know who Jeff Dunham is, Terry Fator is also well known, but who is Jason Scavone?  By the tone of his article "Welcome to Puppet Land" in an on line publication called Vegas Seven, it is obvious he suffers from ventrilophobia!  Mr. Scavone believes that Las Vegas has "jumped the Shark" with double headliner Ventriloquist shows running at the same time in Las Vegas. To quote his review/opinion "America, what is your deal? Why do you have an insatiable lust for cheap puns delivered through 80 bucks worth of felt?"

 Really? In a town built on ketchie excess of everything from neon lights to artificial breasts, having two ventriloquists headline shows in town is too much?  Seems to me there are more than two magicians working the strip. There are also several "singers" headlining shows (doing mostly the same songs) and you can't throw a rock without hitting a Cirque du Soleil show.  In fact I think Vegas "jumped the shark" when the last Cirque show opened.  Now the entertainment venues in Vegas are choices between the same balancing and acrobatic acts with different costumes and music. 

 "Doris, what Vegas show do you want to see tonight? Do you want to see circus acts set to Beatles music or circus acts with weird music set in a swimming pool?" 

Sharing a position on the advisory board of Vent Haven Museum with both Terry and Jeff I may not be the most objective observer when it comes to ventriloquist shows. But, it seems that the art form itself provokes naysayers who continually question its entertainment value.  One critic of my show in New York wondered if ventriloquism belonged on Broadway. The American Theatre Wing thought it did and awarded my show the Tony® Award for "best special theatrical event" in 2007.  

What is it that this guy is worried about? 

To quote Mr. Scavone

"What we’re really worried about is the Puppetpocalypse this portends."

Two vents in town and it is  the beginning of a "puppetpocalypse"?  If 150 Elvis impersonators have not caused an Elvispocalypse what impact will two of the hardest working- best known Vents in the business have on the city? 

Here is his answer: 

"If one more guy turns up with a trunk full of dead-eyed characters, we’re getting the hell out of here....We’ll be in San Diego." 

Mr. Scavone,  I am willing to be that guy with the trunk if you will promise to really "get the hell out of" Las Vegas. I can be there in a few hours so start packing. But let me tell you something. The only entertainment San Diego offers is SeaWorld, an entire theme park of performing fish.  It is definitely a Whalepocalypse! 

To Terry and Jeff.  I remember when Frank Sinatra and Dean Martin were in town at the same time. Two Italian singers know for singing the same kind of songs. No one screamed "Wopocalypse" and they both did really well.  Best wishes to both of you. 

As you were,

Jay

What we’re really worried about is the Puppetpocalypse this portends. - See more at: http://vegasseven.com/2014/07/01/jeff-dunham-terry-fator-welcome-to-puppetland/#sthash.eOxBu8Gw.dpufWhat we’re really worried about is the Puppetpocalypse this portends. - See more at: http://vegasseven.com/2014/07/01/jeff-dunham-terry-fator-welcome-to-puppetland/#sthash.eOxBu8Gw.dpufWhat we’re really worried about is the Puppetpocalypse this portends. - See more at: http://vegasseven.com/2014/07/01/jeff-dunham-terry-fator-welcome-to-puppetland/#sthash.eOxBu8Gw.dpufWhat we’re really worried about is the Puppetpocalypse this portends. - See more at: http://vegasseven.com/2014/07/01/jeff-dunham-terry-fator-welcome-to-puppetland/#sthash.eOxBu8Gw.dpuf

America, what is your deal? Why do you have an insatiable lust for cheap puns delivered through 80 bucks worth of felt?

- See more at: http://vegasseven.com/2014/07/01/jeff-dunham-terry-fator-welcome-to-puppetland/#sthash.eOxBu8Gw.dpuf

What we’re really worried about is the Puppetpocalypse this portends. - See more at: http://vegasseven.com/2014/07/01/jeff-dunham-terry-fator-welcome-to-puppetland/#sthash.eOxBu8Gw.dpuf

America, what is your deal? Why do you have an insatiable lust for cheap puns delivered through 80 bucks worth of felt?

- See more at: http://vegasseven.com/2014/07/01/jeff-dunham-terry-fator-welcome-to-puppetland/#sthash.eOxBu8Gw.dpuf

- See more at: http://vegasseven.com/2014/07/01/jeff-dunham-terry-fator-welcome-to-puppetland/#sthash.eOxBu8Gw.dpuf

Week-end Off?

The one thing I learned on Broadway is:  "job one" of a show that is currently performing is promotion.  There is never a time you can stop promoting a Broadway show.  

My sister-in-law has been in Chicago for 17 years give or take, and she is still called upon to do publicity almost on a weekly basis.  You would think a show that has been running that long would not need to remind the public, but that is not the case.

The first run of a movie is less than 6 weeks. They may lead up to the opening day with months of publicity, but by the week that it opens the publicity machine switches. Three weeks after the opening of a movie you will rarely see the star on tour or doing the Kimmel show. Not so with Broadway, there are eight shows a week you have to fill if you want to continue to run.  

I was talking to some actors in New York last week and they said something that is a sign of the times. It seems, in today's world, during the audition process one of the things they consider when hiring someone is the number of followers they have on Twitter.   Two actor/singer/dancers that are equal in all other areas of talent will finally be judged by the number of social media friends they have.  Perhaps the new lyric for the song in "A Chours Line" should not be "Tits and Ass" but  "Tits and Followers" that make the difference in getting the job.

It used to be that one could throw money at a show and get the name out there.  A few full page ads in the Times, and some well placed (expensive) billboards and you would attract the curious. Direct mail used to be the bread and butter of Show business promotion.  The big ad agencies used to say that direct mail was the best value for the buck.  They claimed an average return of 20% on direct mail. Direct mail is no longer top of the budget heap.  Direct texts, Facebook blasts,  and targeted email has replaced the color postcard in the mail.  Still people are more likely to make a decision to see a show based upon someone's tweet rather than a review from the paper.  The goal remains the same, "You need to get thousands of people saying positive things about your show."  However, instead of going to one media outlet to reach thousands of people,  thousands of people have to independantly "share."  The process is so new there are no hard and fast rules about how one gets anything to "go viral".  

With that said, I have spent all week trying to figure ways to reach the 55 million households which will soon be able to view "Jay Johnson: The Two and Only" as a pay per view.  (AUGUST 1st on iNDEMAND) 

So here I sit at my favorite Coffee Bean and Tea feeling the Broadway anxiety of constant promotion without the thrill of doing the show nightly.  It's the week end and I really want to take the day off to write about something else.  But with a promotional/marketing budget that is non-existent, all I have is a couple social media accounts and my words. Have a great weekend.

As you were,

Jay

I want my, I want my VOD

The problem with instant communination is the shelf life.  It used to be a Circus could put up posters around town with the date and time of the performances and everyone would mark their calendar.  Back then it might be months before any other announcement posters would detract from the Circus.

Today we get the equivalent of a circus poster announcement with every other Facebook post.  And even if the post is not about an up and coming event it still competes for attention with every other puppy picture, cat pose and funny YouTube on the Internet. 

So with the attention span becoming smaller toward information which is expanding, how do you get the word out?  I suppose you have to keep publishing digital posters on a regular basis.  I am trying to do that on a daily basis.  If someone has to be reminded of an event on more than a daily basis, then perhaps the task of finding a place in that person's schedule is hopeless. 

Here is the deal. Starting AUGUST 1st you will be able to see "Jay Johnson: The Two and Only" in HD super rez from the comfort of you own livingroom any time you decide to watch it.  It will be offered to 55 million households, along with every other iNDEMAND event.  The only viewers who will try to find it are the ones that know it is available. And those who know that it is available will have to decide when they want to watch it. 

In the coming days we will be announcing a "Virtual Opening Night Premier". This will be a specific day you can mark on your calendar with a time and see "Jay Johnson: The Two and Only."   Sort of like the day the Circus will come to YOUR town.  But you don't have to dress up or drive to the theatre to be part of the celebration. iNDemand will bring the Circus to you including the monkey.

This will be a major event and perhaps we can cover the red carpet arrivals of the stars of the show via a live video feed.  (Think Skpye from the hallway of my house. I am pretty much the only cast member who can actually "walk" the red carpet so... it will be short.) 

Those who particapate in the "Virtual Opening Night Premier" will be part of a greater digtal audience who will be experiencing the show at the same time in the comfort of their own living rooms linked in a cyber theatre.  Attending this premier in pajamas is acceptable and encouraged. 

However, in the mean time please virally let everyone you know that AUGUST 1st  the day the show will be exclusively available on iNDEMAND.  More later from these same viral stations.

As you were,

Jay

Correcting the Course of the TAO

After circulating the WWW for a day, several of my detail oriented friends noticed this typo on the DVD Cover art. To a dyslexic like me I thought "the wonder fart of ventriloquism" was a new hip term for throwing your voice. (words like new and hip are rarely associated with ventriloquism). Actually that correction had already been made, and it was me who posted the incorrect proof.
Although several people noticed the "wonderfulart" typo, only one noticed that the original Broadway producers names were left off the credit list. That mistake was caught, of course, by one of the original Broadway producers.
So...37 days before you can "pay-per-view: Jay Johnson: The Two and Only!" and help children of the forrest. Yes the proceeds for this iNDemand release will go to aid the Home for Wooden Children of Encino. AUGUST 1st-.
As you were,
Jay