BY JAY K. JOHNSON - Journalized rants and ramblings from a fragmented ventriloqual mind. ©Copyright and common sense apply to all the material contained in this blog.
Friday, July 30, 2010
Back Almost
It is an interesting essay and probably accurate to the depth of its research. One of the best Grove lines I heard, "I don't know anything about expensive wines, but I think I just took a five thousand dollar piss ".
It suddenly looks like a very busy third quarter. It is what I love about this business. A couple of days ago I was looking at some idle time. Two phone calls and several emails later I hit the floor running in a week wondering if I will have time to be home.
As you were,
Jay
Wednesday, July 21, 2010
Monday, July 19, 2010
Saturday, July 17, 2010
If you click on the the link above you will go to "I write like". You can put in some of the text you have written and an app will analyze it and tell you what famous author your style of writing is most like. I got three different results when I put in three different blog entries. The other two writers were David Foster Wallace and H.P. Lovecraft.
I was sure that it would come back, "Jay you write like your old High School English teacher".
Miss Gaydon was a 90 year old, never been married, English teacher that I had my senior year at Richardson High School. She never liked my writing because of my spelling. Or she never liked me to begin with anyway.... I still have nightmares of gray haired old ladies oppressing my creativity. Thanks Miss Gaydon.
As you were,
Jay
Friday, July 16, 2010
Venting Again
| The Secret of Ventriloquism |
| Written by Jay Johnson |
| August 2005
When I was growing up there was ad in the back of almost every comic book. It claimed I could “Learn the Secret of Ventriloquism” for twenty-five cents. Even as a kid I knew any secret that only cost a quarter couldn’t be that good. However, I invested two bits to find out.
What I eventually got in the mail was a swazzle (a flat reed-whistle that could be concealed in the mouth). The swazzle was great for making high-pitched bird noises, but alas, no “Secret of Ventriloquism.” I would have to find it myself. This began a career in search of that secret.
Explaining ventriloquism is surprisingly complicated. Does one talk about the history, the performance, the technique or the pure Zen of ventriloquism? You tell me...I find all aspects of ventriloquism equally compelling. But is there a secret? If so, what is the “secret of ventriloquism?”
Well, what is the secret of music? The secret to becoming proficient in any art form is the same -- practice. There is no way around the hours spent learning the craft of music. The same is true with ventriloquism. There is no way around the hours spent learning the craft of ventriloquism. So there it is. The secret of ventriloquism…PRACTICE. If you think there is a mantra or enchanted word that will make you a ventriloquist, you are in for a big disappointment.
A ventriloquial performance is the art of imitating life. The audience must feel they are watching two or more characters in conversation and not one person who has learned a trick voice. In this regard the art of ventriloquism is much like acting.
An actor must make a script come alive for an audience. It’s not easy to accomplish. It also requires study and Practice. Ventriloquism is even more nebulous and difficult because it is a singularly unique form of acting.
Consider two actors on stage. One speaks while the other listens to that dialogue, then they reverse the process and the speaker becomes the listener. It is the precise timing and interaction of this verbal ping-pong match that makes a great performance.
Unlike an actor who is sometimes just listening to another actor, the ventriloquist is speaking dialogue as one actor while at the same time listening to what is being said. Therefore, at the same moment a ventriloquist is speaking he might have to be “expressing” something entirely different.
Too many times a ventriloquist act fails because there is no interaction between the characters, that is, between the ventriloquist and puppet. The ventriloquist has a line, the puppet is lifeless, then the puppet has a line and the ventriloquist becomes lifeless. The audience reads the expressions of the puppet off the facial reactions of the ventriloquist. Even the best puppet has a limited range of expressions so the ventriloquist must use his unlimited human expressions to justify the puppet’s limited expressions.
I was once complimented after a show on the way one of my characters stuck his tongue out at me. I don’t have a puppet with that mechanical movement. What the person actually saw was my reaction to an expression they thought the puppet made. If manipulated correctly, the collective mind of the audience fills in missing expressions and remembers what it could not possibly have experienced.
In a short-lived television series called Broken Badges, I played the part of a policeman/ventriloquist. There was an emotional scene in a doctor’s office with my puppet character Officer Danny. It involved playing Danny as very angry and my character, Stanley , as very hurt. It was made more difficult because both Stanley and Danny also had dialogue with the doctor.
In the first few takes I couldn’t get it right. I was either playing both Danny and Stanley angry or both characters hurt. I just couldn’t seem to make the split between Danny and Stanley work. To help me “get it,” the director, Kim Manners, called for an on-camera rehearsal. For one take he had the script supervisor read my part and I played only the part of Danny, in the next take she read Danny’s part and I played Stanley .
I suddenly got it.
I could feel how differently I reacted as Stanley when I wasn’t trying to also act as Danny. In the next take I was able to remember those completely different emotions and play them both at the same time.
This is the challenge and the secret of ventriloquism. If you are asking an audience to believe that two characters are on stage at the same time, you better show them two distinct characters. Never lose your life or the life of your character, even a moment.
It’s not easy. If it were, would it be worth mastering? How do you do it? Practice. Video tape yourself doing a routine. Watch it back twice. One time never take your eyes off yourself. The next time through, never take your eyes off the puppet. Was there any moment when either character was not alive and expressing an emotion? Make whatever adjustments you have to make and record it again and again until you believe there are two people on screen, not one person at a time.
A violinist practices his concerto until he hears not just sounds but something that transcends the notes on a page. He will practice and practice until it becomes more than horsehair scraped across metal strings, it becomes art.
An actor practices until he is no longer a person just repeating lines from a script. He becomes the very embodiment of the person in the drama.
A ventriloquist must practice until there is no longer just one person performing a trick voice, but two distinct characters on stage. That is when the craft of ventriloquism becomes the art of ventriloquism. That is the secret of ventriloquism.
You now owe me a quarter.
|
Thursday, July 15, 2010
Wednesday, July 14, 2010
Tuesday, July 13, 2010
Sunday, July 11, 2010

Friday, July 09, 2010
The hardware store because it is full of macho implements and parts that make even a metro-sexual want to buy some work boots and some Dickie's bib overalls. Nothing is more satisfying than actually changing a plug or replacing a light fixture without self electrocution.
Same thing for office supply stores. They are full service creative stimulation exhibits that offers everything from computer needs to simple pencils and paper. And not just paper, but hundreds of kinds of different paper, colored, glossy, photo, parchment, folded, unfolded, heavy stock, extra white, onion skin, three hole, two hole, no hole, hole punchers if you can't decide and envelopes to match. (Think that sound Tim Allen used to make on Tool Time).
So today I went to my local Office Depot, I took plenty of water and a compass for what was surely to be an adventure. You see my Office Depot expanded, and took over the Mrs. Grace Lemon Cake store, virtually increasing its floor space to half again the size. They shuffled everything around and changed the entrance. It was like going to a brand new store, discovering a whole new world. (There goes that Tim Allen sound again).
Well, just as I walked in the door a young kid with a walkie talkie and Office Depot uniform greeted me. "Welcome to the store. What can I help you find today?"
Without even thinking I said, "Envelopes to send a DVD."
"Aisle four by the wall." He said, and without breaking stride I was there in seconds. I got the envelope and was in line to check out before I realized what had happened. He threw me off. I didn't want to know where the DVD envelopes were, I wanted to wander around and find them myself like any true explorer. I wanted to get the lay of the land, the new foot print, see the up dated displays and accidentally find those envelopes after I had forgotten what I came in for.
It was a trip interrupted this time. I would have gotten out of line and explored once I realized my plans had changed, except I knew it meant I could get the thrill of the first time, next time, extending my excitement to two trips instead of one.
Next time I won't listen to Mr. Helpful Greeter. He can't help me next time.
As you were,
Jay
Thursday, July 08, 2010
Friday, July 02, 2010
This idea got me thinking. What if they did do away with the red phone and begin a summit tweet? I suppose we should get ready for a new way to view the world stage.
DMed@ twitter - just nvaded Georgia again. Now having a vodka.
YObama@twitter - OMG seriously??? WTF :-||
DMed@ twitter - LOL - just kidding about the Vodka. Georgia pissed me off.
YObama@twitter - AYSOS? PU
DMed@ twitter - BOB - this is our thing...
YObama@twitter - FC'INGO this is so Cold War...
DMed@ twitter - YYSSW - gotta go. country to run...
YObama@twitter -HOAS - :( we're not finished.
DMed@ twitter - ZZZZZ
I think an exchange like this would prevent a nuclear Holocaust and it can all be done from the PREZ blackberry.
I spent an entire class at the University of North Texas learning how to write a business letter. You had to pass that class to receive a business degree at the time. I suppose "multi-tasking your media stream" would be the new scholastic requirement.
"You kids get off my lawn..."
As you were,
Jay
Thursday, July 01, 2010
Wednesday, June 30, 2010
Traveling
Until I started performing and traveling by myself there was no reason to travel by air. All my trips were taken with the family via station wagon. I think if I could just jump in the back of a big Chevrolet wagon today with the back seat down and sleep till my folks said, "we're here," I would never complain about traveling again.
What I remember most about my early air travel days was wearing a coat and tie on the plane. Everyone dressed up. I'm not exactly sure why. It wasn't comfort. It was just the way it was done. I wore one suit on the plane and packed a separate one for my performance.
The Stewardess (only females and under 25 years of age were employed) wore a uniform with hat skirt and heels. They were hired for there beauty and personality. Although now they stress that the flight attendants are there for your safety, back then they were there most definitely for your pleasure.
This memory was brought back today as I "people" watch at the Miami Airport Admirals Club. Several guys are sitting at the bar in tee shirts, flip flops and shorts. There is no on, even the bar staff who is wearing a tie. At the computer are two American "Flight Attendants" waiting to catch their next plane. One is a man and the other is a woman. Both are gray headed and look to be in their early 60's. If there is an emergency on the flight they will be "attending" later tonight someone will have to help these elderly seniors evacuate. I don't see how they are going to save our lives.
I guess this is progress, I'm glad I am not choking on a neck tie, but it bothers me to see a guy sitting across from me in first class wearing a tank top gym shorts and flip flops. He has slipped off his shoes and has wedged his bare feet on the seat in front of his. I am hoping they disinfect it before someone puts their water bottle in that seat pocket.
For me the glamour is gone, or was it all just an illusion back then to an imaginative ninth grader.
As you were,
Jay
www.monkeyjoke.com
Saturday, June 26, 2010
Sick at sea
It became so bad we had to call in the ships doctor. He was very much like Dr McCoy on Star Trek except he spoke with a Columbia accent and no one called him bones.
The Dr would not confirm that it was the Cruise ship grunge that seems to go around most ships, but they asked Sandi and I to stay in our cabin for 24 hours. That request was no problem since we could barely get out of bed, or be very far from the facilities.
The worst of it was over in a day but we have not been more than 30% since. We don't really feel like eating and are both really tired. I'm sure I will be fine by show time on Monday. But I can't remember being this sick for a long time. This has not been the working vacation that I had in mind.
As you were,
Jay
www.monkeyjoke.com
Wednesday, June 23, 2010
Monday, June 21, 2010
Even though I have been away from home without a reliable Internet connection of late I still have not been keeping up with my writing very well. I seem to have lost the muse. I will try to post when I get a signal. It is always hit or miss in the Carribean, sort of like my writing recently.
As you were,
Jay
Wednesday, June 16, 2010
Jay
Monday, June 14, 2010
My TAO (my show) has always been a spiritual journey for me, a way and a path. It is my Tao of Art. My greatest task is to observe the process on a higher level than just the physical construction of an evening's performance. The more I can become the observer and less the observed the more Tao is expressed. As greater Tao is expressed higher awareness creates more clarified returns of more Tao. The beautiful ideas and exceptional people this play/performance attracts is a blessing beyond worth. The Tao attracts art and artists who are drawn to that spiritual frequency. It would be a spiritual mistake not to observe the unfolding of these beautiful people and ideas. What a joy to be the conduit of that spiritual vibration.



